Moda ve Sanatın Kesişim Noktası Estetik, Toplumsal Dinamikler ve Kimlik Üzerindeki Etkileri
Referanslar
Androw, B. Alexander M: Savage B. (2011) Metropolitan Museum of Art
Ayhan, A. Murat (2016). “Düşüncelerin Dışavurumu Olarak Moda Dünyası: İletişimsel Kodlara Yansıyan Örnekler Üzerinden Karşılaştırmalı Bir Analiz”. Intermedia International E-journal 3/4 242-261.
Barr, A. H. (1967). “The Paintings of Piet Mondrian”: Yves Saint Laurent’s Mondrian Dress. Art & Fashion Quarterly 3/2
Baudrillard, J. (1981) Simulacra and Simulation. University of Michigan Press,
Blum, D. E. (2023) Shocking! The Art and Fashion of Elsa Schiaparelli. Yale University Press,
Chalayan, H. (2002) “Fashion and Technology”. Fashion Theory 6/4
Cindy, S. (2010). “Identity and Fashion: Cindy Sherman’s Photographic Discourse.” Journal of Visual Culture 9/2
Eric, P. 1960. Origins : a short etymological dictionary of modern English. London: New York,
Ertürk, N. (2011). “Moda Kavramı, Moda Kuramları ve Güncel Moda Eğilimi Çalışmaları”. Art-e Sanat Dergisi 4/7
Geczy, A. Karaminas V. (2012). Fashion and art. London: Bloomsbury Academic,
George, S. (1994). “Fashion. International Quarterly”. International Quarterly 10/1
Günay, A. (2011). “Giyside Sanatsal Yaklaşım”. Akdeniz Sanat 4/7
Hal, F. (2014). “Pop Art and Beyond: The Influence of Jeff Koons”. Modern Art Journal 22/4
Helga, D. (2007). “The Costs of Consumer Culture and the ‘Cage Within’: The Impact of the Material ‘Good Life’ and ‘Body Perfect’ Ideals on Individuals’ Identity and Well-Being.” Psychological Inquiry 18/1
Hollander, A. (1993).Seeıng Through Clothes. London: University of California Press,
Leon, F. (1954). “A theory of social comparison processes”. Human Relations 7/2
Özüdoğru, Ş. (2016). “Modern Sanat Akımları ve Moda”. İd Sanat ve Dil Dergisi 2/6
Richard, M., Harold, K. (1995). Haute Couture. Metropolitan Museum of Art. New York: Costume Institute,
Şenol, N. K. – Elmas, A. O. (2022). “Picasso Kübizmi Üzerinden Sanat ve Moda Etkileşimi (Viktor & Rolf Örneği)”. Necmettin Erbakan Üniversitesi 5
Tomomitsu, H. (2020). “Takashi Murakami: The Murakami Method”. Journal of Contemporary Art 15/3
Valerie, S. (1997). Fifty Years of Fashion:New Look to Now. New York: Yale University Press,
Wilson, E. (1985). Adorned in Dreams: Fashion and Modernity. California: University of California Press
Yayoi, K. (2012). “Infinity Net: The Autobiography of Yayoi Kusam”. Tate Publishing 201/3
Ayhan, A. Murat (2016). “Düşüncelerin Dışavurumu Olarak Moda Dünyası: İletişimsel Kodlara Yansıyan Örnekler Üzerinden Karşılaştırmalı Bir Analiz”. Intermedia International E-journal 3/4 242-261.
Barr, A. H. (1967). “The Paintings of Piet Mondrian”: Yves Saint Laurent’s Mondrian Dress. Art & Fashion Quarterly 3/2
Baudrillard, J. (1981) Simulacra and Simulation. University of Michigan Press,
Blum, D. E. (2023) Shocking! The Art and Fashion of Elsa Schiaparelli. Yale University Press,
Chalayan, H. (2002) “Fashion and Technology”. Fashion Theory 6/4
Cindy, S. (2010). “Identity and Fashion: Cindy Sherman’s Photographic Discourse.” Journal of Visual Culture 9/2
Eric, P. 1960. Origins : a short etymological dictionary of modern English. London: New York,
Ertürk, N. (2011). “Moda Kavramı, Moda Kuramları ve Güncel Moda Eğilimi Çalışmaları”. Art-e Sanat Dergisi 4/7
Geczy, A. Karaminas V. (2012). Fashion and art. London: Bloomsbury Academic,
George, S. (1994). “Fashion. International Quarterly”. International Quarterly 10/1
Günay, A. (2011). “Giyside Sanatsal Yaklaşım”. Akdeniz Sanat 4/7
Hal, F. (2014). “Pop Art and Beyond: The Influence of Jeff Koons”. Modern Art Journal 22/4
Helga, D. (2007). “The Costs of Consumer Culture and the ‘Cage Within’: The Impact of the Material ‘Good Life’ and ‘Body Perfect’ Ideals on Individuals’ Identity and Well-Being.” Psychological Inquiry 18/1
Hollander, A. (1993).Seeıng Through Clothes. London: University of California Press,
Leon, F. (1954). “A theory of social comparison processes”. Human Relations 7/2
Özüdoğru, Ş. (2016). “Modern Sanat Akımları ve Moda”. İd Sanat ve Dil Dergisi 2/6
Richard, M., Harold, K. (1995). Haute Couture. Metropolitan Museum of Art. New York: Costume Institute,
Şenol, N. K. – Elmas, A. O. (2022). “Picasso Kübizmi Üzerinden Sanat ve Moda Etkileşimi (Viktor & Rolf Örneği)”. Necmettin Erbakan Üniversitesi 5
Tomomitsu, H. (2020). “Takashi Murakami: The Murakami Method”. Journal of Contemporary Art 15/3
Valerie, S. (1997). Fifty Years of Fashion:New Look to Now. New York: Yale University Press,
Wilson, E. (1985). Adorned in Dreams: Fashion and Modernity. California: University of California Press
Yayoi, K. (2012). “Infinity Net: The Autobiography of Yayoi Kusam”. Tate Publishing 201/3
Sayfalar
1-10
Gelecek
19 Aralık 2024
Telif Hakkı (c) 2024 Akademisyen Yayınevi Kitap DOI Portalı
Lisans
LisansNasıl Atıf Yapılır
1.
Tosmur N. Moda ve Sanatın Kesişim Noktası Estetik, Toplumsal Dinamikler ve Kimlik Üzerindeki Etkileri. Içinde: Geçen F, editör. Resim Sanatı Üzerine Okumalar 3 [Internet]. Türkiye: Akademisyen Yayınevi Kitap DOI Portalı; 2024 [a.yer 12 Temmuz 2026]. ss. 1-10. Erişim adresi: https://mail.omp35.books.akademisyen.net/index.php/akya/catalog/book/3397/chapter/8739